[ Društvo Pekinpah – Kink Kong na Gibanici 2011 ]

Gibanica 2011 - slovenska sodobna platforma

Besedilo/Text by: Rok Vevar, Alma R. Selimović
Gibanica katalog [ pdf ]
Gibanica program [ pdf ]

Leja Jurišić in Teja Reba
MED NAMA / BETWEEN US
petek, 25. februar ob 18.30
Friday, February 25th at 6.30 pm
Stara mestna Elektrarna - Elektro Ljubljana


Foto/Photo by Petra Veber

Plesalki in koreografinji Lejo Jurišić in Tejo Reba je ljubljansko občinstvo imelo priložnost spoznati v zadnjem desetletju, imata pa tudi vrsto pomembnih mednarodnih izkušenj. Leja Jurišić je pred nekaj leti navdušila s svojim odličnim solom R’z’R, Teja Reba pa z nastopi v vrsti projektov Janeza Janše. Gre za odlični umetnici, ki ples raziskujeta v presečiščih s performansom in ki ju bolj od modernih režimov koreografij zanimajo telesa v zagati sedanjosti.
Predstava Med nama povzema in razvija vrsto izkušenj, ki sta jih umetnici v zadnjih letih pridobili pri svojem delu, med drugim tudi njuno izjemno odzivnost na situacijskost ter poseben talent za carinjenje vzdržnosti na mejnem prehodu med občinstvom in predstavo. Predstava raziskuje različne vidike plesnih, telesnih, intimnih, delovnih in javnih razmerij med dvema deležnikoma, soočenima z gotovostjo neke nestalne meje. Leja Jurišić in Teja Reba tem mejam merita temperaturo.
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The Ljubljana audience has been acquainted with dancers and choreographers Leja Jurišić and Teja Reba in the past decade, however, they do boast a series of international experience. A few years ago, Leja Jurišić fascinated the public with her excellent solo R’z’R, while Teja Reba gained recognition with her performances in several Janez Janša’s projects. Both are excellent artists, researching dance at an intersection with performance art, interested in the body being stuck in the present moment rather than modern choreographic regimes.
The performance Between Us summarizes and develops a series of experience gained by the artists in their work during these past years, among others their remarkable reactivity to the given situation and a special talent for the customs fee for moderation at the border crossing between the audience and the show. The performance researches the diverse aspects of dance, body, intimate, work and public relations between two partakers faced with the certainty of an impermanent limit. Leja Jurišić and Teja Reba take the temperature of those limits.
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[ info@exodos.si, www.exodos.si ]
Avtorici in izvajalki/Authors and performers: Leja Jurišić, Teja Reba
Oblikovanje svetlobe/Lighting design: Borut Cajnko
Video: Kaja Mihajlović
Oblikvoanje/Design: Nathalie Reba
Svetovalci/Advisors: Janez Janša, Žiga Kariž, Žiga Predan
Izvršna producentka/Executive producer: Nataša Zavolovšek
Produkcija/Production: Exodos
Koprodukcija/Co-production: Društvo Pekinpah – Kink Kong, Maska
(v okviru programa Dramaturgije plesa in the frame of Dance Dramaturgy Programme), Bunker/Stara mestna elektrarna – Elektro Ljubljana, Gledališče Glej, Plesni Teater Ljubljana, Pa-f



Mala Kline, Massimiliano Cuccaro, Leja Jurišić, Vania Rovisco, Petra Veber,
Mike Winter
BLISS
sobota, 26. februar ob 20.30
Saturday, February 26th at 8.30 pm
Stara mestna Elektrarna - Elektro Ljubljana


Foto/Photo by Miha Fras

Mala Kline je uveljavljena plesna umetnica, ki je svoje prve mednarodne izkušnje pridobila pred svojo polnoletnostjo, zanjo pa bi morda izmed slovenskih koreografov in plesalcev še najbolj držala Žižkova teza, da je človek najbolj noter tako, da je čimbolj zunaj, saj s svojimi "življenjem in delom", razpetim med Ljubljano in svetom, to svojo pozicijo prakticira – včasih se zdi – prav metodološko dosledno in uspešno. Trenutno v Amsterdamu študira in dela v podiplomskem izobraževalnem programu Das Arts.
Njene koreografije se v zadnjih letih po eni strani dotikajo ikon popularne kulture in freudovskega polja ter se dramaturško nanašajo na poetiko nonsensa, absurdizmov in pomenskih mrež, da bi razprle tiste regije pomenov in smislov, ki jih običajni načini označevanja ne dosežejo. Bliss nastaja iz nekaterih temeljnih vprašanj o umetnosti in umetniku v sodobnem kontekstu, o razlogih za delo in smislu umetnosti danes. Osnovna, težka in hkrati odrešilna vprašanja.
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Mala Kline is an accomplished dance artist who gained her first experience already before she became of age. Of all the Slovenian choreographers and dancers, she is the one who would perhaps best reflect Žižek’s presumption that one is most inside of oneself by being most outside, given that by being divided between Ljubljana and the world, she practices this position with her "life and work" in a – as it sometimes seems – methodologically thorough and successful manner. At the moment, she is studying in Amsterdam, working in a post-graduate educational programme Das Arts.
Her choreographies in the past years touch upon the icons of popular culture and the Freudian field on the one hand, and dramaturgically tackle the poetics of nonsense, absurdism and semantic nets on the other in order to open the regions of meaning and sense that cannot be reached by the ordinary ways of denotation. Bliss springs out of some of the fundamental questions on art and the artist in a contemporary context, on the reasons for work and the purpose of art today. Basic, difficult and at the same time redemptive questions.
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[ ziga.predan@kinkkong.org, www.pekinpah.com ]
Avtorji Authors: Mala Kline, Massimiliano Cuccaro, Leja Jurišić, Vania Rovisco, Petra Veber, Mike Winter
Izvajalci/Performers: Primož Bezjak, Leja Jurišić, Mala Kline, Vania Rovisco, Mike Winter, Drago Ivanuša (glasba v živo, live music)
Koncept/Concept: Mala Kline
Prostor, kostumi, luč/Space, costumes, light: Petra Veber
Dramaturgija/Dramaturgy: Simona Semenič
Zvok/ Sound: Sašo Kalan
Asistent/Assistant: Anna Nowicka
Tehnični direktor/Technical director: Andrej Petrovčič
Izvršna producenta/Executive producers: Žiga Predan, Irena Silič
Produkcija/Production: Mala Kline
Koprodukcija/Co-production: Društvo Pekinpah – Kink Kong, Bunker, Ljubljana,
Španski borci/EN-KNAP, Transforma, Maska

Sebastijan Horvat, Leja Jurišić, Irena Tomažin, Jana Menger, Sinja Ožbolt,
Primož Bezjak, Grega Zorc
UTOPIJA 1
nedelja, 27. februar ob 11.00
Sunday, February 27th at 11 am
Plesni Teater Ljubljan


Foto/Photo by Petra Veber

Režiser Sebastijan Horvat je s svojo umetniško ekipo v zadnjem desetletju ustvaril režijski opus, ki bi ga ob primerni sistemski podpori prav gotovo umestil ob bok najprodornejšim imenom evropskih gledaliških odrov. Njegova sla po raziskovanju in scenskih provokacijah pa je morala neobhodno pripeljati tudi do srečanja s plesalci. Delavnica, na kateri so se plesalci skupaj s Horvatom okužili z voljo po skupnem delu, je v Plesnem Teatru Ljubljana leta 2008 pripeljala do skupne predstave.
Utopija 1 je nenavaden scenski dogodek, v katerem se Horvatovo pretanjeno mojstrstvo za različne gledališke situacije, prizore, naloge in pomene preplete v nekakšnega odrskega merilca gledalskih temperatur, pri čemer se gledalec spaja z drugimi gledalci v občinstvo ter drugič ponovno distancira in postavlja v izrazito individualno pozicijo, predstavo zdaj objektivira do meja pornografije, drugič pa z njim to stori predstava. Sebastijan Horvat, Leja Jurišić, Irena Tomažin, Jana Menger, Sinja Ožbolt, Primož Bezjak in Grega Zorc vse to počno z izhodiščnim vprašanjem, ali je utopija mogoča.
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Director Sebastijan Horvat with his artistic team has in the past decade created a director’s opus which, with the suitable support of the system, could easily be compared to the most renowned European theatre directors. His passion for research and stage provocations was, however, bound to lead to the meeting with the dancers. Originating from a workshop where the dancers along with Horvat got infected by a will for common work, the meeting of minds at the Dance Theatre Ljubljana led to the performance in 2008.
Utopia 1 is an unusual stage event in which Horvat’s subtle mastering of diverse theatre situations, scenes, assignments and meanings intertwines into a some kind of stage reader of audience temperature. The viewer unites with other viewers into an audience and again distances himself into an explicitly individual position. The performance is at one time objectivised by the viewer to the brink of pornography, while at other times, the viewer is being objectivised by the performance. Sebastijan Horvat, Leja Jurišić, Irena Tomažin, Jana Menger, Sinja Ožbolt, Primož Bezjak and Grega Zorc perform all this from a starting point of whether utopia is possible.
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[ sebastijan.horvat@guest.arnes.si ]
Avtorji Authors: Sebastijan Horvat in/and Leja Jurišić, Mala Kline, Jana Menger, Sinja Ožbolt, Petra Veber Rojnik, Dejan Srhoj, Grega Zorc, Irena Tomažin, Primož Bezjak
Izvajalci/Performers: Leja Jurišić, Irena Tomažin, Jana Menger, Sinja Ožbolt, Primož Bezjak, Grega Zorc
Prostor/Set design: Petra Veber
Producenta/Producers: Tamara Bračič Vidmar, Maks Soršak
Produkcija/Production: E.P.I. CENTER