As the world becomes increasingly complicated, simplicity becomes a quality
increasingly in demand. We all seek simplicity in small or large measure.
We strive to create simplicity at work and in our private lives. For short
or long periods of our lives we may opt for ‘the simple life’ as relief
from a complicated everyday experience.
Simplicity and its opposites, complexity and complicatedness, are qualities
found everywhere: in nature and in the manmade world. Scientists look
for the simple beauty behind the complex surface. Inventors, engineers,
and designers work hard to simplify processes and products. We all seek
simple explanations, patterns that let us understand the world, natural
or manmade. We like to think that behind every complexity there is simplicity
waiting to be discovered. But behind that simplicity, another complexity
may reside.
Design is a spectator sport, but there is more than meets the eye. Simplicity
in design concerns aesthetics, functionality, and ethics as experienced
by visual appreciation, by use, and by contemplation. Simply because describes
them all.
— Per Mollerup is the author of numerous books, including
Marks of Excellence: The History and Taxonomy of Trademarks (London:
Phaidon, 1997), Collapsibles: A Design Album of Space Saving Objects
(London: Thames & Hudson, 2001), and Wayshowing: A Guide to Environmental
Signage, Principles and Practices (Baden, Switzerland: Lars Müller
Publishers, 2005). He runs his own graphic design studio in Copenhagen,
Mollerup Designlab A/S, which deals primarily with branding and information
design.