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I Fear Slovenia

August 20, 2016 Žiga Predan

Slovenia is a world superpower, subjugating populations throughout the world. Jurišić depicts a bunch of Slovenian females whose fresh imperial subjectivity has been evolving either perfectly or disastrously. In short, the War on Terror à la Slovénie.

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In Dance, Productions Tags Leja Jurišić, Petra Veber, 2014

Senzasenso

August 16, 2016 Žiga Predan

This is a dance perfromance in which Rozman builds an eco-futurist world parallel to today's natural reality. Rozman envisions human beings existing side by side with unusual creatures born out of future landscapes. 

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In Dance, Productions Tags Jan Rozman, 2014

Dreamhostel

August 12, 2016 Žiga Predan

A day-long performance of an interactive nature, Dreamhostel invites members of the public for a sleepover at a peculiar hostel where they learn to dream a collective dream. 

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In Dance, Productions Tags Mala Kline, 2014

White

April 30, 2016 Žiga Predan

A ritual of a body cleansed of all its semiotic qualities, White reflects on and celebrates body's ability see through things and see things through - independent of verbalisation.

 

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In Dance, Productions Tags Matej Kejžar, 2014

KING LEAR: A DECLARATION OF SINCERE LOVE

April 29, 2016 Žiga Predan

With the king absent, the audience becomes a sovereign in this peculiar feminist take on the Shakespeare classic text. Premiered at Cankarjev Dom in Ljubljana, King Lear by Jurišić and Rusjan is as contemporary as it is archetypal. 

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In Dance, Productions Tags Leja Jurišić, Jelena Rusjan, 2014

Vik Burian & Jose Scaglione, Typetogether

March 1, 2016 Barbara Predan

The Pekinpah Association hosted renowned type design studio in Ljubljana on the 26th June 2014. The aim was to introduce high-end experts to local type scene, establish fruitful connections and offer aspiring young Slovenian type designers possibility of quality feedback on their portfolios.

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In Design Tags Typetogether, 2014
 
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News

Featured
Oct 9, 2025
dance in stone
Oct 9, 2025

The puppet show Dance In Stone primarily opens up the question of how modern human society can so often shape an individual who hates themselves, who is their own greatest rival, their own most despised other. The stones, which in the show function as both puppets and scenography, symbolise the radical other—that which seems uncontrollable or unacceptable, both within ourselves and in society.

Oct 9, 2025
Sep 15, 2025
HOUSE BOLERO IN BRUXELLES
Sep 15, 2025

The dancers’ bodies—elegant yet volatile—collide, pausing only to dissolve into motion once more. With precision, they step into one another’s space, oscillating between tenderness and rupture. What appears contingent reveals itself as meticulously orchestrated; even their breath syncs, but only fleetingly—a glimpse of unity before the rhythm fractures again.

Sep 15, 2025
Aug 25, 2025
VULNERI
Aug 25, 2025

Confining subjects to such a small area makes freedom a concrete reality rather than an abstract idea. The limits of one person's liberty become physically and immediately clear. History shows us that options like terror, domination, and the seizure of space are always possible. However, the dancers in Vulneri demonstrate a different, more constructive path: one built on mutual awareness and support.

Aug 25, 2025