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Senzasenso

August 16, 2016 Žiga Predan

This is a dance perfromance in which Rozman builds an eco-futurist world parallel to today's natural reality. Rozman envisions human beings existing side by side with unusual creatures born out of future landscapes. 

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In Dance, Productions Tags Jan Rozman, 2014
 
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News

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The puppet show Dance In Stone primarily opens up the question of how modern human society can so often shape an individual who hates themselves, who is their own greatest rival, their own most despised other. The stones, which in the show function as both puppets and scenography, symbolise the radical other—that which seems uncontrollable or unacceptable, both within ourselves and in society.

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The dancers’ bodies—elegant yet volatile—collide, pausing only to dissolve into motion once more. With precision, they step into one another’s space, oscillating between tenderness and rupture. What appears contingent reveals itself as meticulously orchestrated; even their breath syncs, but only fleetingly—a glimpse of unity before the rhythm fractures again.

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Confining subjects to such a small area makes freedom a concrete reality rather than an abstract idea. The limits of one person's liberty become physically and immediately clear. History shows us that options like terror, domination, and the seizure of space are always possible. However, the dancers in Vulneri demonstrate a different, more constructive path: one built on mutual awareness and support.

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