This is a story about oscillations between certainty and indeterminacy. Rejecting the traditional relationship between Dance and Choreography means attentively following the myth of Aphrodite’s birth. Born from foam, Aphrodite evokes images of irregular rhythmic patterns, the spectacle of movement over movement, and the voyage from one pattern to another. Will the cut between one and the other always mean the end of repetition, a kind of end of reproduction? How will we handle this change? Will we?
Read moreNOTES TO ANTIPHON
Notes to Antiphon by Petra Veber and Leja Jurišić is the conclusion of the first phase of reading The Antiphon, the great work by Djuna Barnes, as well as an announcement of the Slovenian translation by Miklavž Komelj, which will be published by cf.
Read moreSTREAM OF THOUGHTS: INTERLACE
Anamaria Klajnšček and her team blend music and dance to explore the potential of a ceaseless collective flow of thoughts. Movements trigger sounds that constantly drives new motions, all reflecting cognitive processes. An interlace of four individual entities, fighting for attention, diving into a whirl of shared thoughts with a single motive: to keep going on.
Read moreZakaj je vaza podobna hiši? Od sistemskega do fantazijskega z oblikovalko Janjo Lap
V Muzeju za arhitekturo in oblikovanje (MAO) smo 15. junija 2023 odprli prvo pregledno razstavo arhitektke in oblikovalke Janje Lap (1929–2004).
Read more303
The dance piece 303 draws its title from the analogue synthesizer Roland TB-303 which was highly popular in the past decades but was later replaced with digital machines. Inspired by the intense digitalization of our lives during the pandemic, the project focuses on the relationship between our time's analogue and digital realities.
Read moreMedtem ko mi Spotify po meri ustvarja playlisto z naslovom Moodymix
Filip Štepec in Jernej Potočan nagovarjata čas, v katerem Google brskalnik najbolje pozna naš notranji svet. Za izhodišče vzemata nereflektirano vskadanjost, beg med štiri stene, skrite fantazije, ki pa se paradoksalno zrcalijo v naših brskalnikih.
Read moreRDEČI GOZD
Ljudje posegamo v gozd, a je tudi moč gozda, da oblikuje ljudi, neizogibna. V gozd si gremo celit rane, v gozdu rane nastanejo, tišina gozda ni nenasilna, glasnost sveta prav tako ne. Z Rdečim gozdom Leje Jurišić se sooči pet plesalk in plesalcev, koreografinj in koreografov. Nastaja omnibus soočanj z gozdom in rdečo.
Read moreTHE FOLLOWING BODY
V začetku leta 2022 se je umetnica Tatiana Kocmur skozi umetniško perspektivo pričela posvečati raziskovanju zgodovinskih in aktualnih problemov telesnega in spolnega nasilja ter koncepcij in jezika (ali pač ne-jezika) o bolečini. The Following Body je prva vizualna artikulacija tega raziskovanja.
Read moreSTD – Spending Time Dancing
Spending Time Dancing presents Matej Kejžar’s artistic experimentation with Dancing discharged from the drive for choreography. In order to relieve dance from the burden, constructed in the concept of choreography, the burden of a carefully planned succession of movements as progress, the dancers indulge in the processes that defy the linearity of both movement and time. They compost.
Read moreSILENCE | vocabulary of madness
In a mad world, only the mad are sane.— Akira Kurosawa
On November 4, at Cankarjev dom, Silence will present The Vocabulary of Madness, their first album in a decade
MALA KLINE'S PRESENTATION OF NEW WORK
Work in progress SONG by Mala Kline will be presented for the first time 29 December 2016 at Španski borci in Ljubljana.
Read moreKejžar's 'Rave' at the Théâtre National's XS Festival in Brussels
Featuring dancer and choreographer Matej Kejžar (Belgium) and vocalist Niño de Elche (Spain), Rave (Pekinpah, Festival d'Avignon 2015), which premiered last year at the Festival D'Avignon, was invited to the XS 2016 Festival that takes place in the Théâtre National in Brussels from 17 to 19 March.
Read more